Showing posts with label computer-manipulated art. Show all posts
Showing posts with label computer-manipulated art. Show all posts

Use The Force In An Entirely Different Way. Star Wars Sex Toys.




The designs were created in a galaxy far, far away by Hungarian artist Balázs Sármai, who gained intergalactic attention this past August with a similar creation (shown below), in which sex toys were re-imagined as characters from the Hollywood blockbuster “The Avengers.”



His newest collection of imagined vibrators are based on LELO products.

Lord Vader Force Powered Vibrator:


R2D2 Personal Massager:


Stormtrooper Couples Massager:


C-3PO G Spot Vibrator:


These conceptual designs were based on LELO products. If you are interested you can check them out:

Lord Vader is a LELO SMART WAND
C-3PO is a LELO GIGI 2
R2-D2 is a LELO ALIA
and the Stormtrooper is a LELO IDA

Designer and artist Balázs Sármai:

Thanks to both LELO and Balázs Sármai for the info and images.

The Paintings and Works On Paper of Mark Bradley-Shoup.



above: Mark Bradley-Shoup, Summer Gray Gas Station in Patine Blue

There's something about Mark Bradley-Shoup's work that I find really appealing and it's no wonder. His representational works on paper, abstract paintings and mixed media works each have elements that remind me of four of my favorites artists; Richard Diebenkorn's landscapes and abstracts, Ed Ruscha's Standard Oil gas station studies and prints, Wayne Thiebaud's composition and painterly style and Robert Rauschenberg's collages. Bradley-Shoup's simple and subdued color palettes, clean lines and structured compositions - all executed with a certain restraint - result in compelling and aesthetically attractive works.

Below are several of my favorite pieces of his.

Representational:












Mixed Media:




Abstract works:






Mark Bradley-Shoup earned his BFA from the University of Tennessee at Chattanooga in Painting and Drawing and his MFA from the University of North Carolina at Chapel Hill in Studio Art. Bradley-Shoup produces meticulously crafted paintings and works on paper based in part on his own manipulated photographs of both urban and rural environments.

He employs extensive use of masking tape, rulers and x-acto blades to generate precise areas of paint that emphasize the surface texture of his compositions in a way that undermines any elements of photorealist illusion. Prevalent themes in his work include “consumption and growth,” “expansion and recession,” and “the elegance of brutality.”

He has worked with various non-profit agencies and educational institutions including the Hunter Museum of American Art, the Association for Visual Arts, Allied Arts of Greater Chattanooga, the Creative Discovery Museum, Chattanooga Parks, Recreation, Arts and Culture, and the Chattanooga School for the Arts and Sciences. Currently, Bradley-Shoup is based in Chattanooga and is a Visiting Lecturer at the University of Tennessee Chattanooga.


Mark Bradley-Shoup

If you would like to get in touch with Mark, feel free to email mbradleyshoup@hotmail.com

The Making Of A Computer Generated Evil Octopus In A Cage.





CGI Artist Rafael Vallaperde had an urge to create an octopus in a cage, so he did just that. Only this time we get to see all the work that goes into making such a computer generated image.




For those who have no idea on how it's done and/or for those who know and would like to see how he works, he put together this time lapse video of the creation of his beautiful evil octopus.



The track accompanying the video is Complication with Optimistic Outcome by Trent Reznor & Atticus Ross from the Social Network movie soundtrack.

The final artwork:


Rafael Vallaperde

More Steampunk Architecture From Dave Trautrimas - The SpyFrost Project



above: detail of The Radiant Proliferator

David Trautrimas, the Canadian artist about whose steampunk-like architectural art, The Habitat Machines, I blogged about once before, has a wonderful new series of work called The Spyfrost Project.

The Spyfrost Project
illustrates David's hypothesizing the origins of modern iconic appliances by reassembling them into top secret Cold War era military outposts. These hybrids of machinery and architecture stand as colossal weaponized ancestors to common objects, such as refrigerators, lawnmowers and washing machines.

Carbon Inversion Device:

detail:

Digital print on archival paper (framed). 30” x 20”. 2010. Edition of 14. $1400.00 each.

Micro Re-Instigator:

detail:

Digital print on archival paper (framed). 40” x 30”. 2010. Edition of 10. $2600.00 each.

Mnemonic Doppelganger:

detail:

Digital print on archival paper (framed). 22.5” x 35”. 2010. Edition of 12. $1725.00 each.

Seismic Conduction Tower (and detail):

Digital print on archival paper (framed). 20” x 30”. 2010. Edition of 14. $1400.00 each.

Storm Crown Mechanism:
detail:

Digital print on archival paper (framed). 40” x 30”. 2010. Edition of 10. $2600.00 each.

Terra Thermal Inducer:

detail:

Digital print on archival paper (framed). 35” x 22.5”. 2010. Edition of 12. $1725.00 each.

The Aurora Maker (and detail):

Digital print on archival paper (framed). 14” x 17”. 2010. Edition of 16. $925.00 each.

The Brilliant Device:

detail:

Digital print on archival paper (framed). 30” x 20”. 2010. Edition of 14. $1400.00 each.

The Fragment Accumulator (and detail):

Digital print on archival paper (framed). 20” x 30”. 2010. Edition of 14. $1400.00 each.

The Radiant Proliferator:

Digital print on archival paper (framed). 30” x 20”. 2010. Edition of 14. $1400.00 each.

The Toronto launch of his latest series will be opening at LE Gallery on Friday April 30th and the exhibition runs from April 28th to May 30th. In Europe, The Spyfrost Series will be exhibited at the Eckhart Gallery in The Hague, Netherlands from May 2nd to June 11th.

See David's Habitat Machines And Factories here.