Showing posts with label photo manipulation. Show all posts
Showing posts with label photo manipulation. Show all posts

Deliciously Different Delft by Artist Magnus Gjoen




London based artist Magnus Gjoen’s embellished objects are all created digitally, he does everything on his Mac. His graphic skills are largely self taught and stem from being a self-confessed “geek.” Gjoen keeps a digital scrapbook where he collects images including “everything from pictures of a urinal wall to a painting at the Pitti Palace.”


above: Magnus at work in his studio

To create these images Magnus first builds a virtual 3D base outlining it in illustrator, he then meticulously shadows and highlights it in Photoshop. The delft porcelain pieces require an even more lengthy process as the original flat etchings need to be layered and blurred in just the right way to give the final effect.

DELFT STAG BEETLE

Limited edition of 50, hand signed and dated porcelain inspired Stag Beetle. A play on the fierce-looking Stag Beetle, which to us humans although frightening is fragile in comparison to us.
Printed with archival ink on 186 gsm enhanced matte art paper.
$320

AK-47 DELFT

details:


A Giclée of the iconic AK-47 made to look like a piece of beautiful fragile porcelain.
An edition of only 50 printed on 308 gsm archival Hahnemule Photorag paper.
Signed and dated.
$1,095.

DELFT SKULL

Limited Edition of 30 Signed and dated by Magnus Gjoen Delft porcelain skull Giclee print on 180gsm art paper.
$480

DELFT SKULL ANGELS OF DARK & LIGHT

A large delft porcelain inspired skull with imagery of angels. Limited edition of 50.
Signed, numbered & dated
Printed with archival ink on a 188gsm Enhanced Matte paper.
$780

DELFT SKULL DESCENT OF AN ANGEL

A delft porcelain inspired skull with neo-classical imagery of angels. Limited edition of 50.
Signed, numbered & dated
Printed with archival ink on a 188gsm Enhanced Matte paper.
$360

DELFT HEART: MY HEART IS YOURS FOREVER

A Delft inspired porcelain heart. Limited edition of 60 Giclee print on 189gsm Enhanced Matte paper
$350

DELFT ROCKET LAUNCHER

Only 3 Artist proofs remaining of this print.
The normal edition of 30 all sold out.
A delft porcelain inspired rocket launcher Giclee on 180gsm Matte art paper.
$750

DELFT GRENADE

Limited Edition of 60 Signed and dated by Magnus Gjoen Delft porcelain Granade Giclee print on 180gsm art paper.
$250

DELFT SOUP CAN: WORRIES GO DOWN BETTER WITH SOUP

A porcelain twist on Warhol's Campbell's Soups.
Signed, dated and numbered limited edition of /100 printed with archival ink on a fine art 186 enhanced matte paper
$160

ORIGINAL SCULPTURE

Magnus Gjoen
Worries Go Down Better With Soup, Sculpture
Size: 3.9 x 5.5 x 3.9 in
$350

Prints No Longer Available:
DELFT SCARAB


DELFT MACHINE GUN


You can see more of his work and/or buy his available prints at SAATCHI- ONLINE
Or you can browse and/or purchase his prints here at Art Republic


About the Artist:

Magnus Gjoen's prints examines how to change peoples relationship and preconceived notions of objects. Something which is potentially extremely destructive can be made into beautiful yet fragile objects of art. It's this misconception of beauty which Magnus Gjoen wants us to see in a different light, being it weapons, animals or the human race itself. The latter which is capable of creating immense beauty but also capable of destroying it all. Taking inspiration from street and pop art and juxtapositioning it with fine art, he creates new and modern takes on old masterpieces or manipulates something powerful and strong into something fragile but beautiful. He often questions the correlation between religion, war, beauty & destruction in his art. Magnus Gjoen was born in London to Norwegian parents and studied design in London and Milan and has worked as a denim designer and graphic designer for Vivienne Westwood amongst others.

Location: London, United Kingdom

Warp Dogs by Benjamin Grelle aka “The Frogman.”




Benjamin Grelle, who goes by the moniker 'The Frogman' on the internet, is the man behind Babies With Laser Eyes, a tumblr site that introduced him to many a viewer.


above: Benjamin Grelle, aka The Frogman, has a sense of humor, some photoshop skills and as he candidly admits on his site, Chronic Fatigue Syndrome.

A large lovable looking bear of a guy with a penchant for dogs, his latest collection of photoshopped goodness is Warp Dogs. A collection of images of dogs hanging their heads out of car windows - jowls flapping, ears flying - whose backgrounds have been replaced with galaxies viewed at Warp Speed.

Simple and silly, if these images don't make you crack a smile, you're a mean one, Mr. Grinch.










and an animated gif:



Check out more fun stuff from The Frogman here.

In Pieces. Lego Sculptures Blend Into Realistic Photography.




'IN PIECES' is a multimedia collaboration between brick sculptor Nathan Sawaya and Australian photographer Dean West. The exhibition consists of Lego sculpted pieces by Sawaya seamlessly placed into beautiful photographic environments by West. Both the Chromogenic prints and editions of the sculptures are available for purchase.



In some cases, the Lego sculpted pieces blend in so well, it's hard to find them. For that reason I have created images with callouts atop the art for you.

The photographs, photos with callouts and Lego sculptures:

“Dress”, In Pieces 2012, Chromogenic Print on Kodak Endura, 43.0 x 59.5 inches, edition of 7:


Dress, In Pieces 2012, Plastic Bricks, 54.0 x 34.0 x 44.0 inches, edition of 1:


“Bus”, In Pieces 2012, Chromogenic Print on Kodak Endura, 43.0 x 56.4 inches, edition of 7:


Dog, In Pieces 2012, Plastic Bricks, 22.0 x 15.0 x 43.0 inches, edition of 7:

Mannequin, In Pieces 2012, Plastic Bricks, 32.0 x 13.0 x 8.0 inches, edition of 7:


“Pool”, In Pieces 2012, Chromogenic Print on Kodak Endura, 43.0 x 65.3 inches, edition of 7:


Flip Flops, In Pieces 2012, Plastic Bricks, 4.0 x 14.0 x 10.0 inches, edition of 7:

Towel, In Pieces 2012, Plastic Bricks, 32.0 x 17.0 x 10.0 inches, edition of 7:


“Hotel”, In Pieces 2012, Chromogenic Print on Kodak Endura, 43.0 x 43.7 inches, edition of 7:


Large Cloud, In Pieces 2012, Plastic Bricks, 20.0 x 22.0 x 47.0 inches, edition of 7:

Small Cloud, In Pieces 2012, Plastic Bricks, 14.0 x 21.0 x 14.0 inches, edition of 7:

Bucket, In Pieces 2012, Plastic Bricks, 18.0 x 15.0 x 15.0 inches, edition of 7:


“Tree”, In Pieces 2012, Chromogenic Print on Kodak Endura, 43.0 x 51.8 inches, edition of 7:


Tree, In Pieces 2012, Plastic Bricks, 48.0 x 22.0 x 20.0 inches, edition of 7:


“Train”, In Pieces 2012, Chromogenic Print on Kodak Endura, 43.0 x 58.0 inches, edition of 7:


Tracks, In Pieces 2012, Plastic Bricks, 5.0 x 400.0 x 28.0 inches, edition of 7:


“Umbrella”, In Pieces 2012, Chromogenic Print on Kodak Endura, 43.0 x 57.0 inches, edition of 7:


Umbrella, In Pieces 2012, Plastic Bricks, 28.0 x 33.0 x 33.0 inches, edition of 7:

close-up:


Some images of the exhibition:





About the project:
The project is a series of tableau compositions based on ideas about nature, culture, society and more specifically, identity. Identity as a cultural creation has been heavily commercialized and manipulated, and we prominently portray this through a highly stylized representation of contemporary life. The integration of Sawaya's unique sculpture is key to the series' narrative and aesthetic.

The images have been constructed using modern photography techniques, combined with specially sculpted LEGO® objects placed within the scenes. The combination not only builds on and accentuates the images' aesthetic, but also compels the viewer to deconstruct each tableau, thereby exposing elements of the construction of cultural identity itself. Isolated individuals stand in recognizable but chillingly empty minimalist scenes with geometrical design, derived from common features of the American landscape. Their averted eyes gaze into nothingness, and a strange feeling of aloofness and displacement reverberates.

Referencing the aesthetic of the American Postcard in both the style and content- the series has been colour graded with pastels such as warm yellows and pale blues. The imagery, from a distance, appears entirely photographic. However, as the viewer begins to digest the images, the series reveals its brick by brick fabricated construction. The brick by brick, layer-by-layer process also represents the direct process involved with digital photography today with clear references to pixilation and technology.

Videos
A peek at the process:

Behind Lego:


Behind the construction of the red dress:




SALES INQUIRIES: info@inpiecescollection.com

NATHAN SAWAYA
www.brickartist.com

DEAN WEST
www.deanwest.com

In Pieces is showing at the Avant Gallery from February 28th, 2013 to March 17th, 2013