UPDATED: Miley Cyrus: Overexposed or Marketing Genius? Terry Richardson Captures More of Miley's Tongue and Then Some (ALL the pics).

Haven't yet got enough of Miley's tongue or her twat-touching? Photographer Terry Richardson's latest images of the overexposed Miley Cyrus were shot in New York just these past two days, October 3rd and 4th where she's in town for her live hosting of tonight's SNL.



No marketing dummy, Miley Cyrus is just pumping up her image and making her presence known to help sell her latest album release Bangerz (which is getting some awesome reviews) and to entice you to tune in to tonight's Saturday Night Live.


above: the musical artist has come a long way since her 2006 album as Disney's Hannah Montana





Clearly the two (shown together below) were having a lot of fun as you can see from the raw looking shots (no retouching, a little red-eye and some nip slips) which were taken in a high rise apartment in New York City. As far as I know, the shots are not for any particular publication.



I especially love this shot of Miley as Terry:


Here's a peek at ALL the photos from Terry's tumblr diary of the scantily-clad superstar touching herself, sucking on cigars and an ice cream cone and sticking out that phenomenally large tongue:
















above: some free press for AriZona.


I love that Terry's foot is peeking out from under her crotch via the reflection in the above shot.

all images © Terry Richardson and courtesy of Terry's Diary

Terry Richardson's official site



Buy/Download Miley Cyrus' Bangerz (Deluxe Version)

Harper's Bazaar Undergoes Redesign & Launches With Double Gwyneth Paltrow Cover.

above: 2012 Harper's Bazaar March double cover design by Robin Derrick

After ten years, the US version of Harper's Bazaar has undergone a redesign to be unveiled on newsstands February 14th.

The new March cover is a double cover featuring Gwyneth Paltrow shot by photographer Terry Richardson. It was designed by Robin Derrick, who was the Creative Director for ten years of British Vogue until last June.

I wish they'd had to the courage to simply run the clean cover featuring the obscured Paltrow, but alas, they felt the need to include the more traditional looking one featuring content titles and the face of the blonde beauty- undoubtedly thinking that would sell more issues.

They've returned to their original elegant Didot font for the article titles on the cover and the feel of the stark cover is reminiscent of the timeless work of Harper's Bazaar legendary creative director, Alexey Brodovitch.


above: 1956 Harper's Bazaar July cover design by Alexey Brodovitch

The new clean look of the front cover is also similar to my personal favorite cover of theirs from the past few decades designed by Fabien Baron for the September, 1992 issue featuring model Linda Evangelista shot by Patrick Demarchelier and shown below:


above: 1992 Harper's Bazaar September Cover design by Fabien Baron

Here's a look at the Gwyneth Paltrow editorial photos shot by Terry Richardson for the newly redesigned March issue:






above: Terry Richardson photos of Gwyneth Paltrow for the new March issue

WWD reports:
Glenda Bailey clutched the magazine close to her chest, like a Giants running back about to charge the Patriots’ defensive line. It was the first copy of the first redesign of Harper’s Bazaar in a decade, and she was understandably possessive of it.

“Let’s wait a minute,” said Bazaar’s editor in chief, taking a seat in an otherwise empty conference room on the 16th floor of Hearst Tower. “I just returned from the collections. How are you?”

The March issue finally lands on the table and it’s the cover that subscribers will receive. It shows a leggy blonde, wearing a skin-baring, long black dress from relatively new designer Anthony Vaccarello. Her long, wavy hair is covering her face. Is that a model?

“It’s Gwyneth Paltrow,” Bailey proclaimed. “It’s a very daring thing to do, where you don’t immediately see her face.” Bailey added, “As you know, I was the first to develop this two-cover approach.”

Here’s how the new Harper’s Bazaar can be summed up: it’s like the party guest who you recognize when she enters the room, but you know she’s had work done — a lot of work.

The magazine is larger by one inch, the paper quality is noticeably thicker and there is new cover typography. Inside the issue, the pages look less cluttered and thrown together, with more white space, while sections are more tightly edited. So far, there’s less celebrity and the related popcorn stories that can come with that. But in some ways, it still feels like the old Harper’s Bazaar. The black logo is the same. The emphasis is still on high fashion.


above: an example of an interior editorial from the newly redesigned Harper's Bazaar

“It’s going to take a while to get through it,” Bailey said with some pride, paging through all the advertisements in the front of the book. “It’s up 15.5 percent in ad pages, you know. We’re going to be here for a while.”

These are the results of new publisher Carol Smith, who has called March her first issue even though she joined last May. The turnaround in March ad pages is significant. The prior year, ad pages fell 12 percent, to 235. New advertisers include Tom Ford Fashion, Hervé Léger, David Webb, Alberta Ferretti, Alexis Bittar, RéVive, Nexxus and Lucky Brand.

But while the redesign gives Smith and Bailey a new tale to tell, Bazaar still has a lot of ground to make up — it remains the fourth fashion title in terms of ad pages, behind Vogue, InStyle and Elle.

Bailey landed on the first new section, “The List.” Almost every new section starts with the word “the.”

“This is the ultimate list of things to be aware of this month,” Bailey said. Paltrow has also produced a list of her own, “The A List.” Next up, the first of several “exclusives,” in the issue, beginning with a bracelet from Cartier that was originally designed by the brand in the Seventies. Editors at the magazine had been asking about it for years and it’s been reissued. “It really will be the must-have piece,” she said.

A few more tidbits from the issue: Derek Blasberg’s “Best-Dressed List,” an online feature, has become a monthly magazine column. Another story covers 24 hours with Tom Ford. He woke up at 4:30 a.m., took four baths and ate two doughnuts. The beauty section has been expanded, from four pages to 10 in every issue. Bailey has introduced a monthly travel section, “The Escape.” She plans to report on more news every month, to include the latest on art, film, books and trends. And she has kept the monthly feature “Fabulous at Every Age.” Bailey has even expanded upon it, in the beauty section.

Terry Richardson, a longtime contributor, photographed Paltrow for the cover. Karl Lagerfeld, Dan Jackson and Karim Sadli also shot features in the issue. Artist Liu Bolin painted designers including Alber Elbaz and Angela Missoni. “I just saw Alber and he told me there is still paint on his glasses,” Bailey added.

Mark Halperin and John Heilemann wrote a piece about Sarah Palin, pegged to the HBO movie of “Game Change,” based on their book. Lisa DePaulo has a piece about Stephanie Mack, the daughter-in-law of Bernie Madoff, while Vicky Ward wrote about Bernard-Henri Lévy.

When plans for the redesign were revealed in November, many observers were surprised to hear Robin Derrick, former creative director of British Vogue, was hired to consult. He ended up spending about a month on the project, not just working on the magazine but also on all of Bazaar’s social media. Later this year, the magazine will launch e-commerce — the latest move in the ongoing transformation of magazines from merely editorial and advertising vehicles to brands that literally sell the products they cover. “We’ve started to redesign online and we will see that continue,” Bailey added.

She said the new design approach can be summed in one sentence: “It is Didot Caps, Didot Italics and also an introduction of Gotham,” she said, talking typography and taking the magazine back into her hands.

A reporter asked if she could take the issue with her. Bailey replied: “I wish you could but I’m afraid you can’t. These are extremely rare. The team hasn’t even got a copy yet.”

With that, Bailey took hold of the issue and headed to the elevator. The fashion world will have to wait until it hits newsstands on Feb. 14 to see the new look.

images courtesy of Harper's Bazaar

Equinox Defends Their Controversial Ad Campaign Shot By Terry Richardson.

You may or many not have read the glut of recent articles highlighting the controversy over the "skinny" models in the latest ad campaign for Equinox Fitness Clubs shot by photographer Terry Richardson. According to Fashionista, Huff Post and plenty of other blogs, gym goers expressed disappointment in the 'thin' physiques displayed in the ads.


above: the exterior of the Equinox gym in Beverly Hills, California

The campaign was meant to illustrate the connection between fitness and fashion, but comments and criticism on Facebook and other sites allude to the fact that some might prefer fit and healthy looking models as opposed to runway thin models in the ads.



The gym chain has since responded, defending not only Richardson’s photos but their “deliberate” decision to run with them. Women’s Wear Daily reports that the chain disagrees with the mob of gym goers who stormed the Equinox Facebook page with comments demanding that the women featured in the ads look fit and healthy, instead of runway thin. Equinox’s executive creative director Bianca Kosoy told the paper:

“Our campaigns exist at the intersection between fitness and fashion; they are intended to be thought provoking and to generate discussion through their deliberate synthesis of personal motivation and high fashion photography.”

Frankly, the controversy regarding this continuation of the campaign shot for the chain of gyms by Terry Richardson is most likely more attention than the campaign warrants given that there's nothing extra interesting, compelling or memorable about the ad campaign.

Below are 12 ads shown from the campaign and the inside scoop behind 9 of the shots, straight from the set, from Executive Creative Director Bianca Kosoy.

Don't Let Them Eat Cake

"This obscenely expensive cake that we meticulously designed for this shot almost didn't make it. When the delivery guy showed up, someone directed him to Craft Services and it was about to get sliced for dessert. As you know, you can't have your cake and eat it too."

Shorts Story

"Believe it or not, this was one of the hardest shots to style, wardrobe-wise. We kept trying on different combinations of collegiate socks, ties, boxers and underwear to get the perfect blend of preppy and sexy. We wanted them to look hot, but not over the top. I mean, we are promoting higher education here."

Frankie Says Relax

"Terry's signature style inherently dials up the sex factor — each shot is like foreplay. The idea behind this shot was that the couple was recuperating after sex, so I had to keep reminding Terry that we were going for a 'post-coital' feel. He just started yelling, 'Post-coital! Post-coital!' with every pop of the flash! Everyone on set was cracking up."

Sunshine and Rain

"This was the first shot of the day, and it was raining and the weather was just supposed to get worse. We had tents set up and people holding umbrellas over us. The styling, props and location were so flawless and the models were having a blast, so the shot came together quickly. Let's just say we weren't going to let it rain on our parade."

Little Man on Campus

"Little Giuseppe was on set all day because we had to get all the outdoor shots done. He made the best of it flirting with the models and asking his mom if he could take a puppy home. Once he finally got on set he and Terry had this great banter about how much more time he had left. He was a total pro."

Searching High and Low

"The whole idea of the shoot was to create a real highbrow, secret society feel, but when it came down to finding most of the props, like the trophy in this shot, they ranged from actual museum pieces to random garage sale finds from upstate New York. It's the perfect intersection of highbrow and low art."

Puppy Love

"These French bulldog puppies had a bigger entourage than Terry: a breeder, a trainer and a handler. I couldn't believe how well-behaved they were. I actually almost went home with one, but I decided getting a new puppy in the middle of a campaign launch probably wasn't the best idea. Too bad. I was going to name him T-bone — in honor of Terry."

Happy Endings

"This was the wrap shot. It just instantly came together. The stylists and hair and makeup team were all done, and everyone sat on the grand staircase in the foyer enjoying the view and watching Terry do his thing. This is what I call a happy ending."

Earlier ads in the "By Equinox" campaign shot by Terry Richardson:




equinox
terry richardson