Showing posts with label interior design. Show all posts
Showing posts with label interior design. Show all posts

The Helvetica Hotel, From Soap To Signage - And A Little History.




For an independent study, Jung Hwan (Albert) Son, a senior communication design student at Parsons the New School for Design, decided to create and brand a hip and trendy hotel - inspired by the Helvetica font. Below are the elements he designed for his concept of the Helvetica Hotel.


Room keys, signage, wall clocks and stationary:






Toiletries, hangers and minibar items:









The clean sans serif font has been a favorite of designers since its inception, used for many recognizable logos and even inspiring a full length film.



History of Helvetica:
The Helvetica font was developed by Max Miedinger with Edüard Hoffmann in 1957 for the Haas Type Foundry in Münchenstein, Switzerland and quickly became an international hit in the graphic arts world. With its clean, smooth lines, it reflected a modern look that many designers were seeking. At a time when many European countries were recovering from the ravages of war, Helvetica presented a way to express newness and modernity.



“First learn a proper trade.” These were the words with which Max Miedinger’s father put an end to the debate on the future career of his 16-year-old son, who longed to become a painter. Instead, in the autumn of 1926, Miedinger junior began an apprenticeship as a type setter with the Zurich printing company Jacques Bollmann. Four years later, he knew for certain: “I want to be a designer, not spend the rest of my life fiddling with columns of type in galleys”. Evening classes with Johann Kohlmann at the Zurich School of Arts and Crafts confirmed his interest. Finally, in 1936, Max Miedinger was able to put his talent to professional use – as a typographer in the advertising studio of the Globus department store chain. There, over the ten years that followed, he created posters, newspaper advertisements, the corporate lettering and printing for in-house use.


above: just some of the brands that use Helvetica for their corporate identity (image courtesy of typophile.com)

Once Helvetica caught on, the typeface began to be used extensively in signage, in package labeling, in poster art, in advertising—in short, everywhere. Innumerable corporate logos such as those of Lufthansa, Bayer, Hoechst, Deutsche Bahn, BASF and BMW use the font. Inclusion of the font in home computer systems, such as the Apple Macintosh in 1984, only further cemented its ubiquity.


above: the poster for Gary Hustwit's documentary about Helvetica.

In his own words, designer Albert Son says "Essential theme of the branding is based on the visual attributes of the typeface, which is neutral, clean, simple. As it is most beautiful when it is by itself, focus of the overall branding was on keeping everything simple and clean in terms of typography as well as use of colors. While reinterpreting essential hotel products in 'Helvetica' way, the brand also introduces bunch of unconventional items in a range of categories."

Albert Son on Behance

Books, DVDs and other Helvetica related items:







Unusual and Beautiful Area Rugs Combine Art and Faux Cowhide.





Designed by Young & Battaglia with artwork by Chiara Fersini and Chad Wys, these beautiful and unusual hide area rugs are made in England.



"Pastoral" Rug:



In collaboration with American artist Chad Wys for the Classics Revisited Collection.The poetic image of a young boy and his dog is stretched and melted, as if on a piece of parchment from a bygone age. This wistful and romantic piece would not look out of place in either a vintage or contemporary interior, is digitally printed in England on a special fabric backed rubber which is the hand cut in to its final hide shape and is washable.

Sizes:
Medium 1200 x 1700 mm
Large 1500 x 2130 mm
£566.40

"Renaissance" Cowhide Rug:



The Renaissance cowhide is unlike any cowhide you have ever seen, it's from a very exotic breed of beast that lives in the fantasy world of designers Young & Battaglia. The piece features a background image created by artist Himitsuhana, overlayed with tufts of fur and hand cut out in a special rubber backed fabric. A fusion between art and utility, this rug will add a beautifully surreal touch to any interior, and unlike real cowhides this one is hypo-allergenic, washable, and will always lay flat.

Sizes: (L x W)
1653mm x 1500mm
Lead Time: 2 to 3 weeks
£688.00


"Persian" Cowhide rug:


The Persian Cowhide rug comes in other color options as well:


The Persian cowhide is unlike any cowhide you have ever seen, it's from a very exotic breed of beast that lives in the fantasy world of designers Young & Battaglia. The piece is a playful and unexpected marriage between two of the most iconic rugs in the world. The meticulous and geometric Persian carpet is seamlessly combined with the natural irregularity of an animal skin rug. The design is made possible by digitally printing on to a special fabric backed rubber which is the hand cut in to its final hide shape. Unlike real cowhides this one is hypo-allergenic, washable, non-slip, and will not curl up at the edges. A fusion between art and utility, this rug will add a beautifully surreal touch to any interior. Material sample available on request.

Dimensions: 1653 x 1500mm
Thickness: 2mm
Material: Rubber backed fabric
Lead time: 2-3 weeks
£688.00

all images and product descriptions courtesy of Mineheart


Shop for these here at Mineheart.

Award-Winning Modern Bed Is Easy To Assemble And Easy On The Eyes.




The Tiefschlaf and the Tiefschlaf II designed by Linda Altmann and Oliver Krapf for STADTNOMADEN is a modern, easy to assemble, elegant looking bed available in two styles, three finishes and with adjustable stainless steel feet.

The Tiefschlaf:




The Tiefschlaf II:




In case you didn't notice, the difference between the two is that the Tiefschlaf II has a built-in headboard. An additional backrest in white or walnut that attaches to the Tiefschlaf is also available.



Assembly:
The low profile bed consists of six shaped wood modules that are easily fastened together to build the slatted frame. The unobtrusive shape of the modules combine bed sides and the slatted frame in a smart, sleek way and the bed allows the use of any mattress.





The beautifully designed Tiefschlaf II was an award winner in the 2013 Interior Innovation Awards. Both the Tiefschlaf and Tiefschlaf II come in Ash, Walnut or White.

Optional Backrest for the Tiefschlaf (shown in walnut):



The optional backrest fits on any side of the bed. The mounting of the wooden shell can be adjusted in height between 4,5 cm according to the used mattress. The back rest comes without or with a cushion.

Backrest Measurements:
L 140 x H 56 x D 15 cm (with cushion D 22 cm)
Additional space to bed side +11,5 cm

Bed frame Measurements:
Frame L 200 x W 140 x H 16 / 42 cm, (Height without mattress)
Drop down height between edge of the bed and lie down area is 9 cm.
For mattresses L 200 x W 140 cm (not included)

Materials:
Surface: Beech Plywood (Ash,) Wooden veneer (Walnut), varnished and White
Core: Beech shaped plywood
Legs: Aluminium

Designers:

above: Linda Altmann und Oliver Krapf


Shop for the beds here at Stadtnomaden

Lake Washington Shores Pavilion House Blends Cement, Steel and Woods To Create A Showcase For Art.




This 6,800 sq. ft home is a collaborative effort between by architect Jim Olson of Olson Kundig Architects, and interior designer/ furniture designer Garret Cord Werner. The home goes by a couple of names depending on with whom you speak. Olson Kundig refer to it as The Pavilion House, while Garret Cord Werner calls it The Lake Washington Shores Art House. Regardless of the name, the breathtaking structure merges the exterior & interior spaces to provide a seamless environment with the northwest landscape.





Outside spaces mimic the interior in function: living area with fireplace, kitchen, dining area, expansive lawn, long terrace.





The Lake Washington Shores home was designed for entertaining and especially displaying the client's extensive northwest art collection. Reclaimed Mahogany woods, nickel plated steel sections and cement were used throughout the whole house to create a unified atmosphere with an elegant yet comfortable finish.

The house showcases art from various Pacific Northwest artists such as Cris Bruch,  Kenneth Callahan, Rob Snyder , Dennis EvansNancy Mee, Lino Tagliapietra, and Catherine Eaton Skinner to name a few.





Olson considers those who worked on the home also to be artists: interior designer Garret Cord Werner, lighting designer Brian Hood and landscape architect Charles Anderson.

"I lived near the water a long time, but I never felt it until here," says the homeowner of this Bellevue home designed by Jim Olson of Olson Kundig Architects. "It's all about floating and dreaming," says Olson.





The dramatic center pavilion is the focus of the architecture displaying a grand thirty-five foot long dining table by Garret Werner that floats on two pedestals. The table, which can seat 40 people, was engineered and constructed out of reclaimed mahogany wood and nickel plated steel sections and may be disassembled to provide a flexible party space.






Flanking the center pavilion is a floating living room over a reflecting pond and a media room family area at the opposite end with kitchen and bar. All the cabinets were designed by Garret Werner for the home. In the center console in the entertainment room, a projector comes up from inside to project across into the media room.



Custom furniture designer by Werner fills the comfortable living areas.





Working in collaboration with Jim Olson, the master bathroom floor plan was redesigned from initial floor plans and was transformed into an inside-out experience.




A custom designed sunken Japanese bath is the focus of the master bathroom and a Julie Speidel sculpture acts as a focal point.



Blurring the lines of the interior to the exterior is an element Werner believes is important for all architectural projects.





The nickel & fused glass powder rooms and custom lighting in the project are also by Garret Werner.



Relevant links:
Garret Cord Werner
Olson Kundig Architects
Brian Hood Lighting Design
Charles Anderson Landscape Design
photo credit: Benjamin Benschneider

Additional information from the Seattle Times