Manga Meets Modern In The Work of Jessica Lichtenstein.

Antique chairs paired with risqué textiles and large mounted word sculptures, inside of which lie stylized fetishized illustrations of women frolicking in landscapes, are the some of the ways in which Manga and Modern are incorporated into the work of artist Jessica Lichtenstein. The artist also has a current series of Manga figurines in plexiglass boxes that I am not including in this post.

Yum:

details:

above: UV Printed on Acrylic, 45 x 81 1/2 x 2 in | 114.3 x 207 x 5 cm

Play:



detail:

above: UV Printed on Acrylic, 37 x 89 1/2 x 2 in | 94 x 227.3 x 5 cm

XOXO:

detail:

above: UV printed on acrylic, 22 x 48 x 4 inches | 56 x 122 x 10

Lust:

detail:


above: UV Printed on Acrylic, 38 x 88 1/4 x 4 in | 96.5 x 221.5 x 10.2 cm

War:


detail:

above: UV Printed on Acrylic, 45 x 91 x 4 1/4 in | 114.3 x 231 x 10.7 cm

Bloom:


detail:

close-ups:

above: UV printed on acrylic, LED lights, and stainless steel, 33 x 75 x 4 in | 84 x 190.5 x 10.3 cm


The Chairs:





King Chair:


textile detail:

above: Twill fabric, fiberglass and resin, 56 x 29 1/2 x 25 in | 142.3 x 74.9 x 63.5 cm


Queen Chair:


Textile detail:


above: Twill fabric, fiberglass and resin, 38 1/2 x 34 x 27 in | 97.8 x 86.3 x 68.6 cm


Princess Chair:


textile detail:

above: Twill fabric, fiberglass and resin, 43 3/4 x 37 x 31 in | 111 x 94 x 79 cm

Porter Chairs:


above: twill fabric, fiberglass, resin, leather and metal studs, measurements unknown

Jessica is presently showing at Gallery Nine5:



Gallery Nine 5

About the artist:

photo by ©Sunnie Rizzolo

Jessica Lichtenstein, above, lives and works in New York City.

Using the female body as a mechanism to explore deeper themes of power, female representation, fetishism and objectification, usually in an ironic and cheerful way, Lichtenstein’s work embodies the very paradox she is trying to explore. Her work consciously plays with the boundaries of power, commercialization, consumerism, fantasy and propriety, provoking tensions that challenge the viewer to confront his or her own gaze.

Lichtenstein expands her media to include graphic design, 3D text sculptures, light boxes and fabric. The artist strives for the presentation of her work to echo her ideas – art should ultimately entertain. Lichtenstein reveals her playful nature with complex pieces that divulge their depth only with a closer look – a cherry tree image on a light box is actually a composite of X-rated sirens. The viewer is asked to re-examine the nature of enticement – are the accompanying phrases and speech bubbles amatory or garish? Each vignette in Lichtenstein’s installations is a slate upon which the viewer may consider his or her own notions of sexuality. (courtesy of Gallerynine5)

images courtesy of the artist
Jessica Lichtenstein

Newsworthy Nails. How To Give Yourself A Newspaper Transfer Manicure.

You know how when you read a traditional newspaper, the ink tends to get all over your fingers? Well, here's a way to take stylish advantage of that text transfer... turn it into a manicure!

How to do it:
You'll need scissors, nail polish base coat, a pale nail polish color, any newspaper, alcohol (such as vodka or other clear spirits) and a top coat.



Applying a base coat and two coats of color varnish.
Pour the alcohol in a glass.
Cut small pieces of newspaper large enough to cover your nails.
When your nails are dry, soak them in the alcohol.



Cover your nails with small pieces of newspaper.
Remove small pieces of newsprint slowly. The ink will be left on the nail surface.
Let dry and apply a layer of top coat.
And Voila!



Thanks to Zuzu at Passion Nail Art for the info and images (where the same information can be found in French)

Who's The Man? Artist Rudy de Belgeonne, That's Who.

Who’s the Man is an epic installation of a thousand individual hand-painted panels with words used to describe and define ‘man’ by artist Rudy de Belgeonne. The installation will form the centerpiece of an exhibition which opens at London's The Future Gallery in June 2010.



'Every type of man you’ve ever been called, ever felt like, ever known’

Inspired by all the weird and wonderful names he’s been called over the years, Rudy plays with the ever-changing identity and categorisation of the modern man by creating definitions of masculinity packaged as products, as each word becomes a logo in glossy seductive enamel colours: Hero, God, King, Scoundrel, Rogue, Brute, Bad Boy, Love God, Fancy Dan, Mama Man, Sonofabitch, Sonofagun, Bloke, Joe Schmoe, Golden Boy, Nancy Boy…and on and on…




Five years in the making, Who’s the Man is a series of 1000 typographic works painted in beautiful shiny signwriter’s enamel on wooden panels. The installation of 1000 original paintings will be exhibited alongside limited edition sets of different sub-groups – Good Guys, Bad Guys, Gay Guys, Insults, movie references and so on.


above: SwineFiendDevilBrute, 1118mm x 840mm, Giclee print, edition of 25

Presented in this way each word becomes a logo, advertising a response to the ever-changing male identity, defined by morality, sexuality and the body. Using seductively glossy colours, each word is painted in a style that reflects its meaning – either literal or subconscious – referencing our language, typography, brands and visual culture.


above left: Superman Lover, 840mm x 1118mm special edition of 10, hand-painted giclee w 23ct gold leaf
above right: BAM-GRD, 840mm x 1118mm, Giclee, edition of 25

On the simplest level, Who’s the Man is an encyclopaedic and decorative texture of emotionally resonant colours and designs, but the playful placement of each panel reads left to right, top to bottom as a witty poem or narrative, where word associations throw up questions in the mind of the viewer about their own attitudes and expectations of masculinity.


above left: 16 Big Shots, 1626mm x 1118mm, Giclee print, edition of 25
above right: Space Cowboy Gangster of Love

The entire work (5m x 4m) will be accompanied by a limited-edition series of hand re-touched prints of each of the various subsets.

There will be an opportunity to purchase limited edition pieces at the exhibition: on sale will be the 1,000-panelled installation and a series of hand re-touched giclee prints in limited editions of 10. Visitors may also request a special commission by Rudy de Belgeonne on wooden panels.


above: 16 Lovermen, 700mm x 500mm, hand painted, enamel on wood, edition of 10

Exhibition details:
Thursday 3 – Tuesday 8 June 2010
10.00 – 18.30

The Future Gallery
5 Newport Street, London WC2H 7HY
T: +44 (0)20 3301 4727

Sponsored by:
Pearl and Coutts, quality residential and commercial property lettings in London
Courvoisier The Future 500, an exclusive network of 800 rising stars across the UK



About the artist:
Rudy de Belgeonne is a Slade-trained artist who’s fascination with puzzles and gameplay led him to work for many years new media as an interactive games designer. In addition to his painting, Rudy has worked on a wide range of projects – both personal and professional – that occupy the space where art & technology meet. He lives and works in London.

all images and info courtesy of the artist and gallery